Happy new year

It’s the final hours of 2017 and I’m listening to the soft breathing of my husband and (not-so-soft breathing) dog as they snooze, competing for space on the couch.

We are all worn out. The dog got multiple walks in snow that balled up in between the pads of her feet. My husband rode his bike on snow-covered backroads and shoveled the long driveway at the cottage multiple times, ensuring we don’t get stuck here tomorrow when we go to leave. I got to use the snowshoes that replaced an old, broken pair last winter (but never got used because the snow stayed away), snow-shoeing for nearly three hours on a deserted lunar-landscape of a beach. I shot my last two rolls of film for the year–one 120mm slide film, something I’ve never shot before and an expired Ilford SFX 35mm, opting for a red filter and again, a risk as I haven’t explored that kind of film before.

It’s New Year’s Eve and we sure know how to party.

There’s a fire in the fireplace, my feet just inches away. I’ve binge-watched three episodes of Black Mirror, which is dark and fitting (I think, anyway) for a place like this, a stretch of beach that few inhabit in the winter. I can hear the wind and the waves, and the nearly-full moon made a short appearance before the clouds swallowed it up a few hours ago.

It is desolate here. When Lake Michigan tells you you’re not wanted, you best believe her. Tomorrow we’ll leave and the house will be winterized and I won’t see the ice buildup, the drifts that cover the doorways, the unpassable driveway. By spring it’ll be chillingly cold but the snow will have left no trace, other than a re-carved and freshly scrubbed beach. It’s how it works here, the seasons cycle and refresh. I hate to be away.

I am cherishing the quiet of these last few hours of 2017.

Ice pack on Lake Michigan shoreline

things I’m holding on to

I feel doubly responsible to consider each new year as a fresh start. For one, the calendar tells me there is a new year and for two, my birthday is just a week later. Two chances for a fresh start; two opportunities to consider what I’m holding on to that no longer serves me or makes me a better human, or that is impeding my relationships, my peace, my life.

Oh, am I holding on to some crap. Papers and books from college. Trinkets that won’t be used or displayed. Pots, pans, mugs and glassware that I don’t love and don’t use.

The catch-all places in my house are stuffed, and it is this I have to face in 2018. My office closet (disaster). The furnace room. Kitchen drawers. The pantry and spice cabinet. The storage space under the stairs. Bedrooms that hold the remnants of my children’s youth.

I know I’m not alone, and I know that what might feel insurmountable to me (like my office closet) might be nothing compared to someone else’s closet, garage, or studio that they are facing clearing out. Somehow that doesn’t make me feel much better when I open that closet door, reach in to begin, and then shut the door again in panic.

But I don’t know what to do with the stuff I don’t know what to do with. You know? Papers from my kid’s elementary schools. Old bits of mail. Boxes or receipts from electronics. Typewritten papers from college with notes I might want to read again (like the note from my poetry professor, who wrote encouragements like “Now you’re cooking!” and “yes! you got it!” in the margins of my poem analysis papers). What do people do with the stuff they might want to revisit but don’t need to use every day? Pack it away and deal with it later? Toss it and never look back?

I’m going to make a start, at least. Donate or sell the two cameras I have that aren’t working. Get into that closet. One kitchen drawer/cupboard, one basement shelf, at a time. Designate a space for the important papers from my children’s school years and toss the non-important ones, like those old field trip permission slips still jammed into kitchen drawers. I’d like to end 2018 feeling at least a little bit more organized than I’m beginning it.

square love

So, the Yashica Electro 35 GSN I for some reason felt absolutely compelled to buy… doesn’t work. Well, it does. I mean, all the bits work. But when I put a battery in it, the things that the battery is supposed to make work don’t work. So technically I could run a roll of film through it because it defaults to a shutter speed of 1/500; so I could use it, but with limitations. That’s the chance you take on eBay, and I’m only out the price of a couple of fussy pour-over coffees or a pour of very nice bourbon, so not a big deal. I might run it over to the camera repair anyway and get a quote. In any case it’s shelved for now and I’ll mess around with it in January because I have a gazillion things to do because, you know, holidays.

I still haven’t bought chemicals and equipment to develop my own black and white film (I have tanks and reels, but not the other stuff) and I didn’t shoot any black and white over the summer anyway, but I have lately and I’ve sent it off to The Darkroom because they do a terrific job. I am in limbo right now because I hoped to sign up for another film class at a local community college and I just assumed they’d have a winter night class available like they did last winter, but alas, all the film classes are during the day and I am beholden to my employer during the daylight hours. There is a new community darkroom that I contributed to that will hopefully open in January, but I’m not seeing any updated news on their website so I don’t know. In any case, I’m itching to have a darkroom available to me so I can do this myself. I miss the magic. I miss printing and reprinting until an image is just right (er… is it ever just right?). So for now The Darkroom will develop my black and white film until I can do it myself again, and I’ll have to live with digital scans instead of prints.

I’m itching, I tell you.

I shot two rolls of black and white film, Ilford FP4+ and an expired roll of Kodak Tri-X Thanksgiving weekend. 2018 should be the year I start to take notes… I’m awful at that, and didn’t write down the year the Tri-X expired. I metered at box speed (400) and that seemed fine. It was my first time with FP4+ (I think, anyway. See, that’s where notes would come in) and I might be in love.

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Brookwood in a dusting of snow, Bronica SQ-A, Ilford FP4+

I’m feeling a little googly-eyed and swoony over the Bronica SQ-A right now. I am dreaming in square format. I want to use it all the time. For everything. I want to lay it on the pillow next to my head when I sleep so I can gaze at it lovingly when I wake up, although I think it would hurt a lot if it bonked me in the middle of the night because it’s really quite heavy. If it were one of my children, I’d without shame tell it that it’s my favorite. I wouldn’t even whisper so the other kid wouldn’t overhear.

Everyone does this, right? Gets all swoony and wants to write poems about things like cameras and films.

No?

Ah, well. I shot two more rolls through the Bronica after a snowfall this past weekend. I’ve a bit to learn about proper metering in snow, so who knows what I’ll get. And one roll was a 2003-expired Kodak Verichrome Pan (I took note! there is hope!), a film I know nothing about. You can’t say I’m afraid to experiment.

“What kind of photographer are you?”

I had a dream last night. I had wild dreams the night before–of loss and flood and wildfire and being out of control. These are the kinds of dreams I have when I’m worried about someone I love, and I suspect these are the kinds of dreams others have in that situation, too. But the snippet of the dream I remember from last night was somewhat less perilous.

I dreamed someone asked me the question, “What kind of photographer are you?” And I answered, “I’m a documentarian. I document what’s around me, what will be gone, what is fleeting.” (I said it with conviction, and I was proud of myself for that answer because I don’t think it’s come to me quite so succinctly in my waking world. Then again, every photograph is a capture of something that won’t be there in exactly the next moment, so now in hindsight I’m not so proud…) “But… where is your voice?” asked the interviewer next, and I fell silent. Is my voice in my photographs? Without a caption or an explanation or a hashtag, is my voice apparent? I’m not sure, sometimes. It’s worth exploring.

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Lake Michigan, Kodak ColorPlus 200

Yesterday I gave my digital camera to my daughter. Not gave as in I won’t have it back, but gave to her to use for a time. I’ll never speak on which is better–film or digital–because it’s a silly discussion. I know right now that artistically film is the medium I’m interested in and that’s where my focus is. I want to learn and explore in that world. So maybe that’s what prompted the question in my dream.

Oh, and… I lied. It didn’t take me long to break the promise I made to myself of no new cameras. I picked up a rangefinder because I started looking on eBay and then I just couldn’t stop, and my plan was to buy it for the person I am matched up with in a film photography secret Santa thingy because, well, who wouldn’t want a fun little camera for that? And then in the time it took to ship to me (which admittedly was only a few days) I went to the local used camera shop and, damn it, there sat a lovely Olympus Pen and it just came home with me. It just did, okay??? And on the drive home I decided that rather than waiting for the Yashica range finder to arrive, test it with a roll of film to make sure it worked, and test this new Pen to make sure that worked, that I would just send my secret Santa my own Pen because I already know it works. And I think he’ll love it. So technically I only got one camera because it replaces the Pen I’m gifting, and the Yashica… well, it was so cheap it was practically not a purchase at all.

So I revise. No new cameras starting in 2018. Eh. I hope.