I think I’ve run at least six or eight rolls of film through the Mamiya C220 since it was gifted to me last fall. I’ve made multiple mistakes on most of these rolls, from double exposures (although those are almost always happy mistakes) to winding past exposures (I got only two or three exposures on my first roll) to not latching the back properly to… I don’t even know. If there’s a way to do this camera wrong, I think I’ve done it so far.
But, this last roll, Portra 160 shot throughout last week. I worked slowly. I forwarded carefully (oh so carefully). I metered each shot. I kept my hair out the way and made sure my fingers didn’t get in front of the bottom lens. I held the camera steady and didn’t breathe. I still guessed on compensating for the fact that you frame with one lens and the bottom lens is the one that takes the shot–a conundrum if you’re close to your subject, which I was in a few cases. But my guesses weren’t too bad on the close stuff.
It’s grown on me. There is a persistent sort of charm to this camera. It’s awkward to use but I’m getting there. The flipped image is confusing me a little less lately. My horizons are getting a bit straighter. The gentle click of the shutter is soothing. The dreamy image in the ground glass makes me want to look at everything through its eye.
If I’m slow and careful, the detail this camera lets me capture up close is magic. I can’t wait to practice with it on the dunes this summer as more wild things bloom.
I’m feeling more here, now. And that’s okay, but I’m also spending a few minutes (at least) each day letting myself feel all dreamy about Iceland and also think about what might come next. Oh have I got ideas. There is so much out there to see.
I got notice that my last five rolls of film were developed, scanned, and uploaded yesterday, and that my film is on its way back to me from the lab in California. I ordered prints–matte with white border–so those are on the way as well (I love to have prints, but I almost never order them).
These are all from the Bronica; two rolls of Fuji Acros (100 ISO), one Ilford FP4+, and the color roll is Fuji Velvia (50 ISO slide film).
I should have mentioned in that previous post, where I was all grateful about the peanut butter, that I’m grateful to my husband for keeping the show going while I was trying to not get blown off a cliff 3,000 miles away. He kept our old dog alive and (relatively) happy. If anything burned down or broke or flooded while I was away, he took care of it and I’m none the wiser. If there were any upheavals or complaints that I might have otherwise have been called upon to contend with, he kept me out of them. He’s a bit of a rock and I don’t think I tell him often enough that I appreciate him. And if he’s intolerant of my need to see the world, he doesn’t show it and for that I am profoundly grateful.
If you want to see more photos, see my last post or the one before that, or just skip all the wordy bits and look at a ramshackle* Flickr album here.
*I say ramshackle because I really don’t know what the hell I’m doing on Flickr.
Yesterday I packed my camera bag, and in case you’re interested, this is what’s in it currently (subject to completely change if I panic about my choices next weekend):
Bronica SQ-A with 80mm lens and 50mm lens (debating the need for the 50 and it will go if I need more space)
Minolta SRT-102 with 50mm 1.4 Rokkor lens (and I just had to go check this because I just realized I’ve been tagging my Instagram photos with this camera with #MinoltaSRT201, which is ridiculous because it’s my favorite camera and how could I not remember that???)
Olympus Pen EE3, because it’s small and cute and I have some ideas for it
about 30 assorted rolls of 120 and 35mm film, mainly Fuji Acros (120 only), Portra 160 (120 and 35mm), Portra 400 (35mm only), some T-Max, some Ektar (120 only), and some Lomo Purple
a lens cloth and brush
shutter release cable
a few filters and filter holder
Since my camera backpack will be my only carry on, I have to leave room for the necessities–wallet, passport, headphones, Ipad (haven’t decided if I’m bringing this) or book, sunglasses, eyeglass case, charging cord, and yeah, now I’m thinking the 80mm Bronica lens might have to go because of all this.
And this is why I like road trips. I can bring everything I think I might possibly use (and of course use only a third of it). It’s hard to narrow things down to what you really need, or will want to use, when you’ve never been to a place. Oh well, I have to do it. And I can’t drive to Iceland.
In the last few weeks I’ve been around sick people, and I’ve been a little smug about this because I don’t get sick very often and the last time I got sick was coming home from Peru a year and a half ago. I’m pretty healthy. But I napped yesterday and when I woke up my eyeballs felt weird and I had a tickle in my throat. And this morning, my throat and my head both hurt. I have a week to shake it off, and hopefully it won’t sideline me because, well, work and all that.
Anyway, Labor Day weekend was mostly beautiful weather punctuated by some lovely storms. Our daughter was with us from Texas. My dad came for an overnight. My heart felt full. Neighbors were around and the annual year-end potluck and goodbye summer party happened and we all got to see a gorgeous storm cloud roll in.
And just like that, summer was a wrap.
Speaking of road trips… there was a camper tucked into the woods and I’m so glad we noticed it as we drove by one afternoon. I went back three times after we first saw it, just hoping no one had taken advantage of the “FREE!! (please take)” sign because I couldn’t wait to photograph it. I hope it stays for a while because it might be even lovelier in the fall, or maybe with a little snowfall. Although the owner won’t be thrilled if it remains, I will be.
There are a few more photos from these two rolls, both Kodak Ektar 100 ISO shot with a Bronica SQ-A, here.
If you’re feeling it, send me a little luck to get over this bug before I’m Iceland bound, please and thank you.
In just under two weeks I will wake up in a different bed every morning for eight mornings as I travel around Iceland with my friend Jane. We don’t have an itinerary or firm plans other than to see the beautiful landscape and get to each resting spot each night–this is the way I like to travel. If you make firm plans, what do you do if something exciting or interesting lands in your lap? I don’t want to say no to anything.
I can hardly believe it’s almost here! And I’m finally starting to feel mostly ready. I’ve broken in my new hiking boots. I know what clothes I plan to take. Most importantly, I know exactly where my passport is (I don’t always know where anything is). And I know work will be okay without me.
In the meantime, I’ve been stockpiling film and I’m nearly certain about which cameras I’m taking. I also just sent six rolls of film for developing and am tentatively planning not to shoot any more until the trip–I’ll be too busy, anyway.
I stood on the deck at the cottage last evening and had a moment about leaving. The more I stay there, the harder it is to leave. When I get back, the corn stalks will be bleached and maybe even mowed down for the season. The trees will be well into wearing their colorful fall wardrobe. The summer will give way to fall and the nights will get cold. I’ll hear gunshots in the woods when I go out for walks as locals prepare for hunting season. The lake will chill and get moody and wild from fall storms. These things happen whether I’m there to see them or not, but I don’t like to miss a day there, even if it is for leaving to go on fun adventures. It feels a little selfish, but it is this: my heart stays there.
While I’m waiting for film, here are some photos from high summer. I got a little sloppy this summer with my note-taking, so I don’t know exactly when I shot this roll, but I think it was either late July or the first days of August. In fact, my note-taking was non-existent for this roll; I thought I had Ektar ISO 100 in the camera when I shot it and was a bit surprised when I finished the roll and found that it was Portra 160 ISO. Oops! So my metering was a bit off but I think Portra was forgiving. My favorite is the moonflower. I just love those.
I have shot 46 rolls of film so far this year. I didn’t set out with a goal, but there you go.
The whole roll is here if you want to see a few more.
There’s a wild rose bush on the side of the road that leads to the community where our cottage is. It produces some varying shades of pink roses, and we’ve been watching it expand over the last 15 years at least–maybe longer. It usually begins to bloom in late June and is done by mid to late July. Passing by when it’s not in bloom you’d never know it’s there. But when it’s blooming… wow. It’s even creeping up into the trees behind it and spreading across the ground inching closer to the road.
I don’t use slide film often because it costs more than negative film and also costs a small bit more to process. I’m less confident with it and it’s less forgiving, too, and with only 12 shots to a roll of 120 film in my Bronica SQ-A, it feels like too much of a gamble. Not that I have much experience with slide film. I’ve shot a few rolls now of Fuji Velvia 50 ISO and I like the cool, rich colors. Plus the negatives are really neat to look at, because they’re positive images. So I like to have a roll or two hanging around for just the right subject, and the wild rose bush earlier this summer seemed perfect.
I like to take pictures in the herb and flower garden at a local farm market. There’s a lavender labyrinth there that brings the masses right around now, when the lavender blooms and casts its purple hue across the garden grounds. Smack in the middle of the labyrinth is a raised garden bed, and it’s here that I like to go in the golden hour before sunset and commune with the bees as they dance around the blooms. I like this spot best in June, before the summer crowds descend on this place, right when the poppies open and before things begin to wilt and brown from the summer heat.
I’m in love with the poppies, but like everything that grows here they don’t stick around long. By July they are replaced by other blooms, and there can be hundreds of people in this garden milling about, taking selfies. I know this is good for the business owner, but I like this place quiet and peaceful, when I can be alone with my thoughts and hear things growing and buzzing all around me–that’s when it’s really magical.
A few weeks ago I went into the heart of this garden one evening with my Bronica loaded with a roll of Fuji Velvia 50 ISO film. A young woman who works at the farm was just wrapping up her work there and we chatted a bit before she left me alone with the bees. I’ve only used Velvia a few times but I think the colors and that evening’s light and my Bronica just kind of all worked together to make some real beauty. Who can look at the greens and reds and purples that happen in nature and not be quieted, at least for a moment?
You can see the rest of this roll here, or an older post I wrote with digital photos from this place here.
My best friend and I spent a few days getting the cottage ready for the summer season, which presumably is coming even though the weather is doing its very best not to comply. We drove across state in rain the whole way with the threat of snow, sleet and ice for the following day. We tempted fate by not bringing snow boots, because, you know, the forecast is sometimes wrong and it was mid-April, for heaven’s sake.
We ended up getting snowed/iced in. Well. I’d like to say that’ll teach us but I’m not prone to learning my lesson. We managed, it was adventurous, and we had fun. Isn’t that all that matters?
In a break from the precipitation, I did get a brief walk on the beach with the Bronica SQ-A loaded with Kodak Porta ISO 160, a new film for me. The colors that day were muted but lovely; golden grasses and sand, teal water, a dark freighter, white snow; the sun poked through the clouds just a few times, making the water sparkle. I think this film captured the colors and the mood accurately.
The beach really took a pounding this winter, leaving even more staircases stranded or worse, broken and many miles away from where they once lived. A huge tree trunk that I’ve been watching get sand-covered and uncovered for years, and that was a quarter mile north of my community, is now lodged on my neighbor’s beach (I think it’s beautiful). We will have to find creative ways (rappelling? installing a lift?) to get from the bluff to the water line this year.
I can only hope the water levels start to recede so the beach begins to rebuild. It’s all cyclical, we know this. But I so miss walks on a big beach.
Growing up, my parents never took us to Belle Isle, an island park in the middle of the Detroit River between Detroit and Windsor, Ontario. They were huge nature lovers, too, but Belle Isle, let alone downtown Detroit, just wasn’t in their rotation. So I grew up never experiencing the delights there. Then again, I’m not quite sure how delightful Belle Isle was in the late 1960s and 1970s. I know the Detroit riots in 1967 shook my dad up. He was a middle school teacher at the time, a new father, young and politically aware, a bit of an outsider himself as a bearded, dark, Italian man in a very golden suburb.
We didn’t go there as teenagers in the 80s, either. There was Greektown and Hart Plaza and Mexican Village, all places to find some trouble and have some fun. And then I left town for a decade and by the time I came back, Belle Isle was neglected and in disrepair. But some years ago the state took it over and it just keeps getting better.
One of my favorite places on Belle Isle is the Anna Scripps Whitcomb Conservatory. It’s muggy and green and earthy-smelling and feels like a sauna and makes your glasses and camera lenses steam up.
I was there in early March and used the Bronica SQ-A with Fuji Velvia 50 ISO, which is slide film, and which I don’t totally know how to work with. I brightened up a few images in Lightroom but mostly these are as The Darkroom developed and scanned them. Slide film is less forgiving and I think I have to figure out how to meter it differently. I also think the roll turned out much more blue than color negative films I’ve used. Anyway. All experimentation, but I’m not unhappy with these results.
Also, I really have no idea what I’m doing with Flickr. I set up an account and added some albums so that I could link to photos there rather than fill up space here. I’ve made the albums from the last two posts public. But, I’m not sure I want to have public Flickr albums. I’m just not sure how I feel about Flickr in general. Pros, cons, anyone?
I spent a few days in a little town on the west side of Michigan called Saint Joseph. I was there a week ago, and I can’t go there without spending some time on the beach.
I like my beaches empty and windblown, moody, wild.
And I still can’t get enough of my Bronica SQ-A and the 6×6 medium format. The camera isn’t perfect; I’m getting some lines on my negatives that I can’t quite sort out how to get rid of. But, I’ve never been much for perfection anyway.
I used Kodak Ektar 100 ISO for these images. And I completely froze, although you’d never guess just how cold and windy it was from these photos.
So, the Yashica Electro 35 GSN I for some reason felt absolutely compelled to buy… doesn’t work. Well, it does. I mean, all the bits work. But when I put a battery in it, the things that the battery is supposed to make work don’t work. So technically I could run a roll of film through it because it defaults to a shutter speed of 1/500; so I could use it, but with limitations. That’s the chance you take on eBay, and I’m only out the price of a couple of fussy pour-over coffees or a pour of very nice bourbon, so not a big deal. I might run it over to the camera repair anyway and get a quote. In any case it’s shelved for now and I’ll mess around with it in January because I have a gazillion things to do because, you know, holidays.
I still haven’t bought chemicals and equipment to develop my own black and white film (I have tanks and reels, but not the other stuff) and I didn’t shoot any black and white over the summer anyway, but I have lately and I’ve sent it off to The Darkroom because they do a terrific job. I am in limbo right now because I hoped to sign up for another film class at a local community college and I just assumed they’d have a winter night class available like they did last winter, but alas, all the film classes are during the day and I am beholden to my employer during the daylight hours. There is a new community darkroom that I contributed to that will hopefully open in January, but I’m not seeing any updated news on their website so I don’t know. In any case, I’m itching to have a darkroom available to me so I can do this myself. I miss the magic. I miss printing and reprinting until an image is just right (er… is it ever just right?). So for now The Darkroom will develop my black and white film until I can do it myself again, and I’ll have to live with digital scans instead of prints.
I’m itching, I tell you.
I shot two rolls of black and white film, Ilford FP4+ and an expired roll of Kodak Tri-X Thanksgiving weekend. 2018 should be the year I start to take notes… I’m awful at that, and didn’t write down the year the Tri-X expired. I metered at box speed (400) and that seemed fine. It was my first time with FP4+ (I think, anyway. See, that’s where notes would come in) and I might be in love.
I’m feeling a little googly-eyed and swoony over the Bronica SQ-A right now. I am dreaming in square format. I want to use it all the time. For everything. I want to lay it on the pillow next to my head when I sleep so I can gaze at it lovingly when I wake up, although I think it would hurt a lot if it bonked me in the middle of the night because it’s really quite heavy. If it were one of my children, I’d without shame tell it that it’s my favorite. I wouldn’t even whisper so the other kid wouldn’t overhear.
post, Bronica SQ-A, Ilford FP4+
milkweed pod and seed, Bronica SQ-A, Ilford FP4+
rows, Bronica SQ-A, Ilford FP4+
farmhouse, Bronica SQ-A, Ilford FP4+
firewood, Bronica SQ-A, Ilford FP4+
bee smoker, Bronica SQ-A, Ilford FP4+
gull, , Bronica, expired Kodak Tri-X
sentinel, Bronica, expired Kodak Tri-X
Everyone does this, right? Gets all swoony and wants to write poems about things like cameras and films.
Ah, well. I shot two more rolls through the Bronica after a snowfall this past weekend. I’ve a bit to learn about proper metering in snow, so who knows what I’ll get. And one roll was a 2003-expired Kodak Verichrome Pan (I took note! there is hope!), a film I know nothing about. You can’t say I’m afraid to experiment.