Iceland, final installment in Lomochrome Purple

Iceland on film

I know I’ll think about and talk about Iceland until I go back. But it feels a little sad to post the final photos from this trip. I took my Olympus Pen EE3 with me to Iceland, too, and didn’t think twice about using Lomography Lomochrome Purple, a whimsical film in a whimsical camera.

Iceland on film

The EE3 is a half-frame camera, a compact little thing with the faintest whisper of a click when you press the button to take a picture. There’s no mirror to flap about. It’s a true point and shoot–you set the film speed (it only goes to 400) and there are only two shutter speeds (the camera chooses). If it’s too dark to get a decent image, a little red flag pops up in the viewfinder and the shutter won’t fire. It shoots on half of a 35mm frame, so you get two images (portrait mode unless you turn the camera sideways), which you can treat as individual images or as groupings, and which means you get 72 (or more) images from a 36 exposure roll of film. Kind of a lot of bang for the buck. I love this camera.

Iceland on film

Iceland on film

I asked the lab to scan this roll two-up, since I try to shoot with two images per frame in mind. But they forgot, and so I got 72 single images. Which means if I want any diptychs or triptychs, I’m going to have to haul my scanner out and get serious about trying to get a decent scan out of it (I need help).

Iceland on film

So, the final installment. I’m no longer walking around all dreamy-eyed, seeing mountains and waterfalls. I’m in my house, working in my office, listening to my dog snore ever-louder in her old age, hearing the train whistle as it goes through my city, looking in my pantry and wondering what to make for dinner, getting the mail, etc. Travel and newness is exciting, but there’s nothing wrong with the mundanity of daily life.

Iceland on film

Iceland on film

Iceland on film

Iceland on film

You can see most of the rest of this roll here; read more from my September trip to Iceland in my previous three posts.

 

more Iceland

Iceland on film

Iceland on film

I’m feeling more here, now. And that’s okay, but I’m also spending a few minutes (at least) each day letting myself feel all dreamy about Iceland and also think about what might come next. Oh have I got ideas. There is so much out there to see.

Iceland on film

Iceland on film

I got notice that my last five rolls of film were developed, scanned, and uploaded yesterday, and that my film is on its way back to me from the lab in California. I ordered prints–matte with white border–so those are on the way as well (I love to have prints, but I almost never order them).

Iceland on film

Iceland on film

These are all from the Bronica; two rolls of Fuji Acros (100 ISO), one Ilford FP4+, and the color roll is Fuji Velvia (50 ISO slide film).

Iceland on film

Iceland on film

Iceland on film

I should have mentioned in that previous post, where I was all grateful about the peanut butter, that I’m grateful to my husband for keeping the show going while I was trying to not get blown off a cliff 3,000 miles away. He kept our old dog alive and (relatively) happy. If anything burned down or broke or flooded while I was away, he took care of it and I’m none the wiser. If there were any upheavals or complaints that I might have otherwise have been called upon to contend with, he kept me out of them. He’s a bit of a rock and I don’t think I tell him often enough that I appreciate him. And if he’s intolerant of my need to see the world, he doesn’t show it and for that I am profoundly grateful.

Iceland on film

Iceland on film

Iceland on film

Iceland on film

Iceland on film

If you want to see more photos, see my last post or the one before that, or just skip all the wordy bits and look at a ramshackle* Flickr album here.

Iceland on film

Iceland on film

*I say ramshackle because I really don’t know what the hell I’m doing on Flickr.

Iceland’s in my head


I’m having a hard time coming back down to earth. Work took extra concentration this week. I’m seeing mountains. The landscape seems mismatched here. Where’s the sea, just around that curve? Oh, wait… I’m no longer in Iceland.

I still don’t know how to sum up the trip. The details seem fuzzy already. My friend Jane and I landed in Keflavik on the last Monday of September, traveled first south and then east and then north and west and then back to Reykjavik and left the first Monday of October.

I took only film cameras, and I love the resulting colors I got on these initial rolls.

I can still feel the mist from the waterfalls. I can still see the mountains in the distance. I can conjure up the sulfur-y smell of the thermal pools. The stoic horses, the mighty wind, the pelting rain, the sudden rainbows. Who could stand in sight of these things and not be moved, or fundamentally changed?

 

There were bumps, like our baggage leaving the airport with someone else (but fortunately coming back before we left the car rental); a punctured tire that fortunately got resolved quickly because we were lucky enough to be in a town with a tire shop; misguided directions from Google maps that put us quite off-course a few times; house spiders that didn’t bother my travel companion, but that tested my spider-tolerating capabilities. The rest of it, though–a tomato-lentil soup with big hunks of crusty farm bread in a cozy coffee shop; the snowy mountain pass; the spectacular sunset one evening; the sea spray and the mossy rocks and just the surprises the landscape offered around every curve–all of this is firmly implanted in my psyche.

Maybe I’m waxing poetic because I’m not so well-traveled, but it all makes me ache for more. I can’t wait for the next adventure. I can’t wait to see the next mountain range or seaside cliff. I can’t wait to feel the air and the wind and the water of the next place. I can’t wait to be changed again. Until then I’ll keep looking at my pictures and remembering how I felt when I was there.

I shot 16 rolls of film. Six 35mm rolls and 10 120mm rolls. I wish I’d shot more, and gone a little more slowly and patiently. But, the wind and the cold were more of a factor than I expected. I wrote and took notes but even those got chaotic, and so now I’m not sure where I was for some of these photos. Whatever. I was madly in love with everything. Not much else matters when you’re swooning, does it?

I’m still waiting for five more rolls, so I’ll write more and share those photos soon. The photos in this post were taken on a Minolta SRT-102 (my favorite camera), a Bronica SQ-A (my other favorite camera), and an FPP Debonair–a $20 plastic camera that I used for the first time on this trip and that I think is actually really terrific. The films reflected in this post are Kodak Portra (160 and 400 ISO), Kodak Ektar (100 ISO), and a Kodak Gold (200 ISO) I soaked in grapefruit-habanero kombucha, which made for some subtle color shifts and some streaks; more subtle than I expected but I still like it.

If you’re interested, you can see more from these 11 rolls on this flickr album.

waking up from the dream that was Iceland

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near Selfoss, Minolta SRT-102 and Kodak Portra 160

Oh, Iceland.

I was rendered speechless. I mean, that’s not surprising–it happens to me often as I’m better with writing words than speaking them. But, I said “wow” way too many times. And “stunning,” “beautiful,” “really?,” “oh, come on!,” “holy shit,” “oh my god,” and other noises and nonwords like grunts, gasps, etc. And then after a while I just shut up because, seriously, Iceland.

I don’t regret only bringing film. I brought four cameras and used all four of them. I brought some filters and a tiny tripod and didn’t use those at all. I winged it (I might look up the accuracy of this term later, but for now I’m using it) and took a chance on my Minolta SRT-102 battery holding up because I realized I should have a backup just a little too late and couldn’t get one in time. Sure enough, the minute I loaded that camera the battery was dead. So I had zero cameras with a working light meter and had to rely on a light meter app on my phone. I’d been doing this with pretty damn good success with the Bronica, but I hadn’t used it for 35mm film. All in all, metering in Iceland is no picnic (snow, black sand, mountain shadows, sun and then suddenly no sun, yada yada) but I think it all worked out okay.

Anyway, I dropped 11 rolls of film off at a local lab and had scans in under two hours. Someday I really want to do this part of it myself, but I don’t have the time right now and am grateful to the two labs that do it for me. I sent the three rolls of black and white film, one roll of Lomography purple, and a roll of slide film all off to The Darkroom yesterday, so I won’t see those for a bit longer.

Taking six days off of work means I’ve come back to a pile of things to sort through, but I’m grateful for a supportive team that made it possible for me to leave. I’m grateful to my friend Jane for asking me to go on this trip with her. I’m grateful for the peanut butter we ate in Iceland because it was excellent and saved us from what might have been iffy moments of hangriness.

I’m still trying to process the trip and I’ll write more about it, and share more pictures, when I have a little more time this weekend. But here are a couple for now.

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one of the many waterfalls, in south or east Iceland, Minolta and Portra
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Icelandic horse, FPP Debonair (Plastic Fantastic), Kodak Ektar 100
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Black Sand Beach in Vic, Minolta and Portra 160
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fence and open land, Bronica, Kodak Portra 160

In one week…

…I’ll be on my way to Iceland!

Yesterday I packed my camera bag, and in case you’re interested, this is what’s in it currently (subject to completely change if I panic about my choices next weekend):

  • Bronica SQ-A with 80mm lens and 50mm lens (debating the need for the 50 and it will go if I need more space)
  • Minolta SRT-102 with 50mm 1.4 Rokkor lens (and I just had to go check this because I just realized I’ve been tagging my Instagram photos with this camera with #MinoltaSRT201, which is ridiculous because it’s my favorite camera and how could I not remember that???)
  • Olympus Pen EE3, because it’s small and cute and I have some ideas for it
  • about 30 assorted rolls of 120 and 35mm film, mainly Fuji Acros (120 only), Portra 160 (120 and 35mm), Portra 400 (35mm only), some T-Max, some Ektar (120 only), and some Lomo Purple
  • a lens cloth and brush
  • shutter release cable
  • a few filters and filter holder

Since my camera backpack will be my only carry on, I have to leave room for the necessities–wallet, passport, headphones, Ipad (haven’t decided if I’m bringing this) or book, sunglasses, eyeglass case, charging cord, and yeah, now I’m thinking the 80mm Bronica lens might have to go because of all this.

And this is why I like road trips. I can bring everything I think I might possibly use (and of course use only a third of it). It’s hard to narrow things down to what you really need, or will want to use, when you’ve never been to a place. Oh well, I have to do it. And I can’t drive to Iceland.

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Lake Michigan, fiery red

In the last few weeks I’ve been around sick people, and I’ve been a little smug about this because I don’t get sick very often and the last time I got sick was coming home from Peru a year and a half ago. I’m pretty healthy. But I napped yesterday and when I woke up my eyeballs felt weird and I had a tickle in my throat. And this morning, my throat and my head both hurt. I have a week to shake it off, and hopefully it won’t sideline me because, well, work and all that.

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my father and my daughter having a chat

 

Anyway, Labor Day weekend was mostly beautiful weather punctuated by some lovely storms. Our daughter was with us from Texas. My dad came for an overnight. My heart felt full. Neighbors were around and the annual year-end potluck and goodbye summer party happened and we all got to see a gorgeous storm cloud roll in.

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storm over Lake Michigan
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after storm

And just like that, summer was a wrap.

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the lookout, and fungi
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fungi and pine needles

Speaking of road trips… there was a camper tucked into the woods and I’m so glad we noticed it as we drove by one afternoon. I went back three times after we first saw it, just hoping no one had taken advantage of the “FREE!! (please take)” sign because I couldn’t wait to photograph it. I hope it stays for a while because it might be even lovelier in the fall, or maybe with a little snowfall. Although the owner won’t be thrilled if it remains, I will be.

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FREE!! (please take)
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welcome
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may need some work
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tucked into the woods

There are a few more photos from these two rolls, both Kodak Ektar 100 ISO shot with a Bronica SQ-A, here.

If you’re feeling it, send me a little luck to get over this bug before I’m Iceland bound, please and thank you.

film, travel, angst

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twin mullein stalks on the bluff, Bronica SQ-A and Portra 160

Last year, and I can hardly believe it has already been a year, I traveled to Peru and spent a week with my daughter in Lima. I brought two cameras–a Minolta X-700 and a Holga and I was super happy with my decision not to bring a digital camera. In fact, I just gave my now ratty-looking but still capable digital camera to my son to borrow, with the caveat that I can borrow it back when I need to. I like where film is taking me right now so I’m going to keep exploring that.

So in just over a month my friend Jane and I are heading to Iceland and while I am pretty well decided on which cameras I’m bringing, now I am suddenly obsessing about how much and what kind of film to bring. I’m no expert on all the films out there, but I’ve tried a few and I’ve got some favorites. If you don’t believe me that there really are lots and lots of films available, take a look at this compendium by EMULSIVE (this is part 5, but see the links to all four parts before this one if you want your head to spin).

But, I am struggling among my favorites. I know I want to shoot both black and white and color, but should I stick to one film each so my resulting images have somewhat the same voice? A variety, so I can mix it up (my norm)? And, how much film? 20 rolls? 40? I like to have options but I also need to pack smart and consider my budget.

I’m actually more worried about what film to bring than what clothes to pack. Have you been to Iceland in late September? If you have either film or clothing/footwear suggestions, I’m all ears.

Otherwise, after a two and a half week hiatus, I’m back on the shores of Lake Michigan for a little while. It’s hot, the beach has grown a bit, the Queen Anne’s lace and the mullein and the summer squash and the corn fields have all exploded, the bees are busy and the cicadas are humming the evenings away. We watched a bit of the Perseid meteors last night but couldn’t stay awake, although they were beautiful, sending silver glitter streaks through the sky. It’s high summer and it’s just heaven.