more Iceland

Iceland on film

Iceland on film

I’m feeling more here, now. And that’s okay, but I’m also spending a few minutes (at least) each day letting myself feel all dreamy about Iceland and also think about what might come next. Oh have I got ideas. There is so much out there to see.

Iceland on film

Iceland on film

I got notice that my last five rolls of film were developed, scanned, and uploaded yesterday, and that my film is on its way back to me from the lab in California. I ordered prints–matte with white border–so those are on the way as well (I love to have prints, but I almost never order them).

Iceland on film

Iceland on film

These are all from the Bronica; two rolls of Fuji Acros (100 ISO), one Ilford FP4+, and the color roll is Fuji Velvia (50 ISO slide film).

Iceland on film

Iceland on film

Iceland on film

I should have mentioned in that previous post, where I was all grateful about the peanut butter, that I’m grateful to my husband for keeping the show going while I was trying to not get blown off a cliff 3,000 miles away. He kept our old dog alive and (relatively) happy. If anything burned down or broke or flooded while I was away, he took care of it and I’m none the wiser. If there were any upheavals or complaints that I might have otherwise have been called upon to contend with, he kept me out of them. He’s a bit of a rock and I don’t think I tell him often enough that I appreciate him. And if he’s intolerant of my need to see the world, he doesn’t show it and for that I am profoundly grateful.

Iceland on film

Iceland on film

Iceland on film

Iceland on film

Iceland on film

If you want to see more photos, see my last post or the one before that, or just skip all the wordy bits and look at a ramshackle* Flickr album here.

Iceland on film

Iceland on film

*I say ramshackle because I really don’t know what the hell I’m doing on Flickr.

Iceland’s in my head


I’m having a hard time coming back down to earth. Work took extra concentration this week. I’m seeing mountains. The landscape seems mismatched here. Where’s the sea, just around that curve? Oh, wait… I’m no longer in Iceland.

I still don’t know how to sum up the trip. The details seem fuzzy already. My friend Jane and I landed in Kevlavik on the last Monday of September, traveled first south and then east and then north and west and then back to Reykjavik and left the first Monday of October.

I took only film cameras, and I love the resulting colors I got on these initial rolls.

I can still feel the mist from the waterfalls. I can still see the mountains in the distance. I can conjure up the sulfur-y smell of the thermal pools. The stoic horses, the mighty wind, the pelting rain, the sudden rainbows. Who could stand in sight of these things and not be moved, or fundamentally changed?

 

There were bumps, like our baggage leaving the airport with someone else (but fortunately coming back before we left the car rental); a punctured tire that fortunately got resolved quickly because we were lucky enough to be in a town with a tire shop; misguided directions from Google maps that put us quite off-course a few times; house spiders that didn’t bother my travel companion, but that tested my spider-tolerating capabilities. The rest of it, though–a tomato-lentil soup with big hunks of crusty farm bread in a cozy coffee shop; the snowy mountain pass; the spectacular sunset one evening; the sea spray and the mossy rocks and just the surprises the landscape offered around every curve–all of this is firmly implanted in my psyche.

Maybe I’m waxing poetic because I’m not so well-traveled, but it all makes me ache for more. I can’t wait for the next adventure. I can’t wait to see the next mountain range or seaside cliff. I can’t wait to feel the air and the wind and the water of the next place. I can’t wait to be changed again. Until then I’ll keep looking at my pictures and remembering how I felt when I was there.

I shot 16 rolls of film. Six 35mm rolls and 10 120mm rolls. I wish I’d shot more, and gone a little more slowly and patiently. But, the wind and the cold were more of a factor than I expected. I wrote and took notes but even those got chaotic, and so now I’m not sure where I was for some of these photos. Whatever. I was madly in love with everything. Not much else matters when you’re swooning, does it?

I’m still waiting for five more rolls, so I’ll write more and share those photos soon. The photos in this post were taken on a Minolta SRT-102 (my favorite camera), a Bronica SQ-A (my other favorite camera), and an FPP Debonair–a $20 plastic camera that I used for the first time on this trip and that I think is actually really terrific. The films reflected in this post are Kodak Portra (160 and 400 ISO), Kodak Ektar (100 ISO), and a Kodak Gold (200 ISO) I soaked in grapefruit-habanero kombucha, which made for some subtle color shifts and some streaks; more subtle than I expected but I still like it.

If you’re interested, you can see more from these 11 rolls on this flickr album.

waking up from the dream that was Iceland

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near Selfoss, Minolta SRT-102 and Kodak Portra 160

Oh, Iceland.

I was rendered speechless. I mean, that’s not surprising–it happens to me often as I’m better with writing words than speaking them. But, I said “wow” way too many times. And “stunning,” “beautiful,” “really?,” “oh, come on!,” “holy shit,” “oh my god,” and other noises and nonwords like grunts, gasps, etc. And then after a while I just shut up because, seriously, Iceland.

I don’t regret only bringing film. I brought four cameras and used all four of them. I brought some filters and a tiny tripod and didn’t use those at all. I winged it (I might look up the accuracy of this term later, but for now I’m using it) and took a chance on my Minolta SRT-102 battery holding up because I realized I should have a backup just a little too late and couldn’t get one in time. Sure enough, the minute I loaded that camera the battery was dead. So I had zero cameras with a working light meter and had to rely on a light meter app on my phone. I’d been doing this with pretty damn good success with the Bronica, but I hadn’t used it for 35mm film. All in all, metering in Iceland is no picnic (snow, black sand, mountain shadows, sun and then suddenly no sun, yada yada) but I think it all worked out okay.

Anyway, I dropped 11 rolls of film off at a local lab and had scans in under two hours. Someday I really want to do this part of it myself, but I don’t have the time right now and am grateful to the two labs that do it for me. I sent the three rolls of black and white film, one roll of Lomography purple, and a roll of slide film all off to The Darkroom yesterday, so I won’t see those for a bit longer.

Taking six days off of work means I’ve come back to a pile of things to sort through, but I’m grateful for a supportive team that made it possible for me to leave. I’m grateful to my friend Jane for asking me to go on this trip with her. I’m grateful for the peanut butter we ate in Iceland because it was excellent and saved us from what might have been iffy moments of hangriness.

I’m still trying to process the trip and I’ll write more about it, and share more pictures, when I have a little more time this weekend. But here are a couple for now.

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one of the many waterfalls, in south or east Iceland, Minolta and Portra
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Icelandic horse, FPP Debonair (Plastic Fantastic), Kodak Ektar 100
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Black Sand Beach in Vic, Minolta and Portra 160
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fence and open land, Bronica, Kodak Portra 160

In one week…

…I’ll be on my way to Iceland!

Yesterday I packed my camera bag, and in case you’re interested, this is what’s in it currently (subject to completely change if I panic about my choices next weekend):

  • Bronica SQ-A with 80mm lens and 50mm lens (debating the need for the 50 and it will go if I need more space)
  • Minolta SRT-102 with 50mm 1.4 Rokkor lens (and I just had to go check this because I just realized I’ve been tagging my Instagram photos with this camera with #MinoltaSRT201, which is ridiculous because it’s my favorite camera and how could I not remember that???)
  • Olympus Pen EE3, because it’s small and cute and I have some ideas for it
  • about 30 assorted rolls of 120 and 35mm film, mainly Fuji Acros (120 only), Portra 160 (120 and 35mm), Portra 400 (35mm only), some T-Max, some Ektar (120 only), and some Lomo Purple
  • a lens cloth and brush
  • shutter release cable
  • a few filters and filter holder

Since my camera backpack will be my only carry on, I have to leave room for the necessities–wallet, passport, headphones, Ipad (haven’t decided if I’m bringing this) or book, sunglasses, eyeglass case, charging cord, and yeah, now I’m thinking the 80mm Bronica lens might have to go because of all this.

And this is why I like road trips. I can bring everything I think I might possibly use (and of course use only a third of it). It’s hard to narrow things down to what you really need, or will want to use, when you’ve never been to a place. Oh well, I have to do it. And I can’t drive to Iceland.

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Lake Michigan, fiery red

In the last few weeks I’ve been around sick people, and I’ve been a little smug about this because I don’t get sick very often and the last time I got sick was coming home from Peru a year and a half ago. I’m pretty healthy. But I napped yesterday and when I woke up my eyeballs felt weird and I had a tickle in my throat. And this morning, my throat and my head both hurt. I have a week to shake it off, and hopefully it won’t sideline me because, well, work and all that.

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my father and my daughter having a chat

 

Anyway, Labor Day weekend was mostly beautiful weather punctuated by some lovely storms. Our daughter was with us from Texas. My dad came for an overnight. My heart felt full. Neighbors were around and the annual year-end potluck and goodbye summer party happened and we all got to see a gorgeous storm cloud roll in.

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storm over Lake Michigan
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after storm

And just like that, summer was a wrap.

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the lookout, and fungi
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fungi and pine needles

Speaking of road trips… there was a camper tucked into the woods and I’m so glad we noticed it as we drove by one afternoon. I went back three times after we first saw it, just hoping no one had taken advantage of the “FREE!! (please take)” sign because I couldn’t wait to photograph it. I hope it stays for a while because it might be even lovelier in the fall, or maybe with a little snowfall. Although the owner won’t be thrilled if it remains, I will be.

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FREE!! (please take)
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welcome
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may need some work
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tucked into the woods

There are a few more photos from these two rolls, both Kodak Ektar 100 ISO shot with a Bronica SQ-A, here.

If you’re feeling it, send me a little luck to get over this bug before I’m Iceland bound, please and thank you.

(nearly) Iceland bound

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moonflowers in the garden at Cherry Point Market

In just under two weeks I will wake up in a different bed every morning for eight mornings as I travel around Iceland with my friend Jane. We don’t have an itinerary or firm plans other than to see the beautiful landscape and get to each resting spot each night–this is the way I like to travel. If you make firm plans, what do you do if something exciting or interesting lands in your lap? I don’t want to say no to anything.

I can hardly believe it’s almost here! And I’m finally starting to feel mostly ready. I’ve broken in my new hiking boots. I know what clothes I plan to take. Most importantly, I know exactly where my passport is (I don’t always know where anything is). And I know work will be okay without me.

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lavender, also at Cherry Point Market
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dill flower, Cherry Point Market

In the meantime, I’ve been stockpiling film and I’m nearly certain about which cameras I’m taking. I also just sent six rolls of film for developing and am tentatively planning not to shoot any more until the trip–I’ll be too busy, anyway.

I stood on the deck at the cottage last evening and had a moment about leaving. The more I stay there, the harder it is to leave. When I get back, the corn stalks will be bleached and maybe even mowed down for the season. The trees will be well into wearing their colorful fall wardrobe. The summer will give way to fall and the nights will get cold. I’ll hear gunshots in the woods when I go out for walks as locals prepare for hunting season. The lake will chill and get moody and wild from fall storms. These things happen whether I’m there to see them or not, but I don’t like to miss a day there, even if it is for leaving to go on fun adventures. It feels a little selfish, but it is this: my heart stays there.

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mullein field
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grain (barley, maybe?)

While I’m waiting for film, here are some photos from high summer. I got a little sloppy this summer with my note-taking, so I don’t know exactly when I shot this roll, but I think it was either late July or the first days of August. In fact, my note-taking was non-existent for this roll; I thought I had Ektar ISO 100 in the camera when I shot it and was a bit surprised when I finished the roll and found that it was Portra 160 ISO. Oops! So my metering was a bit off but I think Portra was forgiving. My favorite is the moonflower. I just love those.

I have shot 46 rolls of film so far this year. I didn’t set out with a goal, but there you go.

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forgotten memorial
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windbreakers

The whole roll is here if you want to see a few more.

film, travel, angst

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twin mullein stalks on the bluff, Bronica SQ-A and Portra 160

Last year, and I can hardly believe it has already been a year, I traveled to Peru and spent a week with my daughter in Lima. I brought two cameras–a Minolta X-700 and a Holga and I was super happy with my decision not to bring a digital camera. In fact, I just gave my now ratty-looking but still capable digital camera to my son to borrow, with the caveat that I can borrow it back when I need to. I like where film is taking me right now so I’m going to keep exploring that.

So in just over a month my friend Jane and I are heading to Iceland and while I am pretty well decided on which cameras I’m bringing, now I am suddenly obsessing about how much and what kind of film to bring. I’m no expert on all the films out there, but I’ve tried a few and I’ve got some favorites. If you don’t believe me that there really are lots and lots of films available, take a look at this compendium by EMULSIVE (this is part 5, but see the links to all four parts before this one if you want your head to spin).

But, I am struggling among my favorites. I know I want to shoot both black and white and color, but should I stick to one film each so my resulting images have somewhat the same voice? A variety, so I can mix it up (my norm)? And, how much film? 20 rolls? 40? I like to have options but I also need to pack smart and consider my budget.

I’m actually more worried about what film to bring than what clothes to pack. Have you been to Iceland in late September? If you have either film or clothing/footwear suggestions, I’m all ears.

Otherwise, after a two and a half week hiatus, I’m back on the shores of Lake Michigan for a little while. It’s hot, the beach has grown a bit, the Queen Anne’s lace and the mullein and the summer squash and the corn fields have all exploded, the bees are busy and the cicadas are humming the evenings away. We watched a bit of the Perseid meteors last night but couldn’t stay awake, although they were beautiful, sending silver glitter streaks through the sky. It’s high summer and it’s just heaven.

 

FPP Walking Workshop

Last weekend my friend Jane and I went to Findlay, Ohio to participate in the Film Photography Project‘s “walking workshop” with about 100 or so other people, who were about 95% men. That last bit is neither here nor there, but I did find it a little surprising and somewhat noteworthy. Do men have more free time for pursuits like camera collecting and film photography? Are women just not as interested in workshops? I don’t know these things. But, Jane and I enjoyed the workshops, the freebies, the FPP store, the FPP podcast crew, wandering around town during the car show, and the venue (the Jones Mansion).

We each bought $10 plastic point and shoot cameras with ridiculous telescoping lenses. I bought a $10 t-shirt (can’t have enough t-shirts) and a roll of T-Max 3200 ISO film. I won a Minolta Hi-Matic G. I’ve never had so many men say “I like your dress” (it’s my favorite dress right now, a print of old-style cameras)–the best comment being “I don’t wear dresses often, but I’d wear that one.” I mean, c’mon! What’s not to love here?

I shot a roll of color film a few weeks ago on the west side of Michigan, mostly flowers (both wild and planted) with the idea of re-shooting for a whole roll of double exposures. Since there was a car show going on in downtown Findlay during the workshop, I ended up shooting some cars and alleys and streetscapes over the flowers on that roll. I have some other film ready and a few rolls to finish up before I send the re-shot roll for developing, but I’m excited to see what I get.

Anyway, here are some images from the test rolls from those two cameras I mentioned a few weeks back, the camera given to me by a neighbor (that Minolta Maxxum 300si) and the goodwill camera (a Minolta Freedom Zoom 90). The goodwill camera is huge and clunky and the zoom pretty much broke at the end of the test roll. The Maxxum’s longer lens might be really useful and although overall I probably won’t use this camera too often, I’m going to keep it around. The Freedom shot a 1989 expired roll of Ektachrome (cross processed) and I didn’t expect much from that, but got a few shots I kind of liked. The Maxxum had a roll of Fuji 800 ISO film in it and who knows how old it was or how it was stored. So, experiments.

 

Austin, I like you

Austin downtown from under the South Congress Street bridge
downtown Austin, TX

This is going to sound terrible. But, I never gave Texas much thought. I’m way up here in Michigan, and Texas feels a world away; a gigantic state with guns and trucks and carnivores and women with big hair and the kinds of things and people I figured I wouldn’t mix all that well with. I know better, really I do.

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Colorado River/Lady Bird Lake
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don’t handle the bats

But we drove down to Texas a few weeks ago with a carload of stuff and helped move our grown human into a really amazing apartment, and outside of all the work that entailed we ate some pretty amazing meals (Austin knows how to do vegetarian and vegan) and I spent a morning walking on the multi-use paths along the Colorado River/Lady Bird Lake taking pictures. I only brought one camera (my favorite 35mm, the Minolta SRT-102) and finished a roll of Kodak ColorPlus that was half-used and a roll of Fuji Superia, both ISO 200. I already can’t wait to go back; there’s so much more to explore.

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growth spurt
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digging the cloud buildings

Austin, I’m sorry I pre-judged–we’re gonna get along just fine. And, Texas, I don’t know how much I’ll dabble in you beyond Austin, but I promise to keep an open mind.

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Ai Weiwei’s Forever Bicycles
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found a little love along the river

I’m still finding my way with flickr; still not sure how I feel about it. But you can see more of my photos from Austin here.

half-here

Sometimes I forget how lucky I am. I don’t write much about work here, but I have a pretty amazing job at a company that doesn’t scrimp on showing its employees that they are valued. More than that, though, it’s the people I work with. They make it all even better.

I spent a week in January at my company’s office in the San Francisco Bay, and while it was busy and I didn’t get to spend any time outside (my favorite thing) at least it was nice to have not only a change of scenery, but to be able to wear cute shoes and not ruin them because of snow and salt. I’m luckier still that my dear friend will be joining our team in just one week, and I will be flying again to California to help get her started.

I also think that it’s a luxury to have a job like this. I hear too many stories about people hating their job, their workplace, or their supervisors and tolerating those things, sometimes for decades, because they have to. I’ve either been lucky or I’ve played my cards right, but my career has been full of friends, mentors, and people I respect. I wish everyone had that.

Anyway, maybe because I was there three times last year, I’m starting to have dreams about California. It’s starting to feel more like home.

And I’m getting itchy for another non-work trip. I poked around a bit on Airbnb last night, dreaming of different skies. When I do that I feel like I’m half-here, half-somewhere else… one foot in my normal world. It’s a strange feeling, but not an unpleasant one.

But I also dream in pictures. And most of my pictures, or at least the ones I feel like I’m meant to be making, are here in Michigan and of the lake, the plants, the landscape I feel connected to.

These photos are from my first roll of film of 2018. It was snowing like mad and I left the cottage to wander into the meadow and woods with the Bronica SQ-A and a roll of Ilford FP4+. There are some odd lines on a few of these images and I’m not sure what might have caused them, but they are on the film and not just on the scans. I was more worried about correct exposure with all the white, but I either lucked out a bit or FP4+ is forgiving. Either way, I like my snowy shots and feel a little more comfortable shooting in the snow now, in terms of metering (it’s still challenging in terms of managing gear, snow on lenses, cold, and wetness!).

 

more Mendocino, this time on film

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somewhere in the sky
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surfers and fog

I imagine we’re not meant to live as if on vacation every day. But, what if we were? Could we stand that much sunshine? Could we stand the gorgeousness? So much of it? Would it hurt too much to live like that, or make us too soft, or too happy?

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my friend Kelly, contemplating the view

I don’t know. I tell people that here in Michigan the winters make our summers so much sweeter. Not that I mind the winters. Because maybe we have to do penance with the dark days, or the miserably cold days, to really appreciate the warm and sunny days. But I wonder if maybe we’ve got to see and taste and touch beauty every single day. Maybe it makes us better. I’m willing to bet it does.

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our cabin in the woods
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prayer flags and path
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garden

In any case, I took film to the lab today and they had it developed and uploaded before I even got home. Just when I’ve become more patient with the whole process, they go and make it instant! I shot one and a half rolls of Kodak ColorPlus film on my trusty Minolta SRT 102 in California two weeks ago, and this is the one. The half roll isn’t finished yet and that is what is making me feel so unsettled and thinking about just how much beauty we are entitled to in our everyday life. Perhaps it’s all in the way we frame things. Beauty is everywhere, after all.

I think some days we just don’t feel like looking at it. But it kind of smacks you across the face in California.

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Mendocino

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And here’s another thing. The fires are still burning. We left Sunday morning, and the fires broke out in wine country that night and they are continuing today. It sounds trite to say my heart breaks for California. But oh how it does. Such beauty, such loss.

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