I know I’ll think about and talk about Iceland until I go back. But it feels a little sad to post the final photos from this trip. I took my Olympus Pen EE3 with me to Iceland, too, and didn’t think twice about using Lomography Lomochrome Purple, a whimsical film in a whimsical camera.
The EE3 is a half-frame camera, a compact little thing with the faintest whisper of a click when you press the button to take a picture. There’s no mirror to flap about. It’s a true point and shoot–you set the film speed (it only goes to 400) and there are only two shutter speeds (the camera chooses). If it’s too dark to get a decent image, a little red flag pops up in the viewfinder and the shutter won’t fire. It shoots on half of a 35mm frame, so you get two images (portrait mode unless you turn the camera sideways), which you can treat as individual images or as groupings, and which means you get 72 (or more) images from a 36 exposure roll of film. Kind of a lot of bang for the buck. I love this camera.
I asked the lab to scan this roll two-up, since I try to shoot with two images per frame in mind. But they forgot, and so I got 72 single images. Which means if I want any diptychs or triptychs, I’m going to have to haul my scanner out and get serious about trying to get a decent scan out of it (I need help).
So, the final installment. I’m no longer walking around all dreamy-eyed, seeing mountains and waterfalls. I’m in my house, working in my office, listening to my dog snore ever-louder in her old age, hearing the train whistle as it goes through my city, looking in my pantry and wondering what to make for dinner, getting the mail, etc. Travel and newness is exciting, but there’s nothing wrong with the mundanity of daily life.
You can see most of the rest of this roll here; read more from my September trip to Iceland in my previous three posts.
I’m not the only one that needs it to rain every now and then, am I? I mean, not for days and days on end… that’s too much. But after a stretch of summery sun and warmth a bit of rain just feels like a necessary break. A permission to be a little blue, or introspective. It’s a little like crying after going a really long time without. I don’t know–it feels good to me.
It’s raining right now on a late Thursday afternoon. I heard thunder growling for about an hour before the rain started, and some interesting clouds formed over the lake. Nothing dramatic, just a gentle release. The dog is especially tired today and has been snoring either on the couch or under my feet at the dining room table (my cottage office). I could curl up and nap, too, if not for work. These are the kind of days I’d skip college classes and spend the day in bed reading and drinking tea. I miss those days.
I made a pact with myself that I wouldn’t buy any cameras in 2018. I’m not really sure why I made such a foolish bargain now, and maybe I should have clarified. Like, no cameras over $20 or something more sane. In any case, I went to a local good will shop last week and took a $6.95 chance on a clean-looking, fully automatic, clunker of a late 1980’s plastic point and shoot. I also picked up a Cokin A series filter holder and three filters–one of which is a double exposure “splitter” that I was pretty excited to find. I took the clunker on a beach walk with a roll of heavily expired slide film from the same era as the camera. Who knows if anything will come of that roll, but it was fun. I tried the splitter two nights ago and again, who knows what will come of it. I’m not organized enough to plan decent doubles when I’m out; I’m just shooting and enjoying things most of the time lately.
I also put feelers out to neighbors via an online community about taking old cameras off their hands, and someone offered up an SLR. I met a complete stranger in the parking lot of the local market who handed me a bag with a Minolta Maxxum 300si, two lenses, a roll of unused film in the camera and a second roll in the bag. He was nice, just happy to get rid of something he didn’t use that was taking up space. It’s also a fully automatic thing and I promised I’d use it and then donate it if it didn’t become part of my regular rotation. The funny thing is it happens to take the same battery as the good will clunker, so I didn’t have to wait to test it out. I wanted to ask some background but he seemed in a rush, so, I’ll make up stories about where the camera has been and what it has seen.
I had five rolls of film developed a few weeks ago–two were Lomography Lomochrome Purple. One of these I’ve been carrying around for over a year, so it’s an older formula, and the other was a “new” formula. I don’t think I can judge how the two formulas differ, because I am absolutely terrible about storing film properly and the older roll went with me to Peru last May (but did not get used) and has been in and out of camera bags and hot and cold cars and basically has not been treated the way an $11.90 roll of film should be treated. But the “old” formula images look a little overexposed, a cooler purple. The “new” formula images seem a bit more saturated, a warmer purple. Conditions, light, subjects all play a roll, of course.
Enough writing on a rainy afternoon, and I have to get back to work. Here are some purple film photos, in no particular order. You can see more in this flickr album, if you want.
200 stairshiddenethereal cloudspoppiesgardenorchardcorn field, earlymy favorite forgotten gardenout for a walkferns along a pathwoodsgrain fieldold farm truck
Last month, I felt like I was on a mission to capture the last bits of color before the bleak winter set in. It’s not like there are never any blue skies in the midwest in the winter–of course there are lovely sunny days. And there is color. There are warm sandy-colored grasses like phragmites and bullrush and other marsh-dwelling plants that dry into warm shades. There is still green grass here and moss, too. But the colors are much less riotous. Everything seems subdued. And when blanketed in snow, all is white and shades of gray. Still beautiful, but it tends to wear on a girl who craves color and contrast and is stuck in cement-bound suburbs for the winter. But maybe I need to look at winter as a creative lesson? I guess we’ll see in the coming months.
Anyway.
I shot some film in November. Color (Kodak GC 400 and my current favorite, Ektar 100), black and white (Kodak Tri-X, which I am finding I really like a lot), and my last roll of Lomography lomochrome purple (which I still think is some kind of ridiculous, happiness-inducing, magical magic trick). I managed not to buy any new cameras although I’ll admit to scouring eBay listings and dreaming of my next purchase (I may have bought a couple of old lenses but they were super cheap). I used the two Minolta’s (SRT 102 and X-700), the Pentax K1000, and the Olympus EE3 in November. I’m not bored with any of these yet and still learning some of their differences and quirks. It’s too difficult and probably unnecessary to zero in on just one, so I’m not going to.
Stay tuned to one of my other favorite places right now, EMULSIVE, which in January April will feature an interview with… me. Yes, me! A relative newbie to film! I love the community that EMULSIVE has built, with an exchange of creativity and a wealth of information for people like me who have fallen head over heels and all punch-drunk in love with this craft. And, maybe most importantly, offers up for your viewing pleasure a ton of gorgeous (film) photos from some incredibly talented photographers.
So, while I got this film processed weeks ago, I wanted to take my time so that I could choose a few images that wouldn’t be anywhere else (as in here) before they show up on EMULSIVE. My two very favorites from November will be featured there first.
I’m also still trying to figure out how I want to display photos here. I’ve used headers and grouped images by camera (I think I did this for October’s shots). Do I caption each with the camera and type of film? I know when I look at other people’s photos, this is something I like to know. So I’ll try that this time. Do you like to know what kind of film and camera, or is that info overkill or detracting?
Margi
Technically these are not November photos… but Margi came to visit in very late October and this roll got finished in November, so there you go. Not so much a film fan but a Margi (Chicago dancer, teacher, choreographer) fan? The digital images from her visit are here.
Margi on the bridge, Olympus Pen EE3, Lomography Lomochrome PurpleMargi in forest, Olympus Pen EE3, Lomography Lomochrome Purple
And, my maiden attempt at a double exposure. Which didn’t turn out exactly how I invisioned but that’s how things go. I attempted to keep the camera still (via tripod), so the trees and bird would remain still, but there would be two Margi’s. Instead it looks a little like a psychedelic trip. See? Learning process.
Margi with the forest bird, Minolta SRT 102, Kodak GC 400
Late fall
Mostly images from the west side of Michigan, although I finished two rolls in a local metro Detroit park. A few images here are the ends of those rolls.
Forest two ways, Olympus Pen EE3, Lomography Lomochrome Purple
Asparagus gone to seed, Olympus Pen EE3, Lomography Lomochrome Purple
Oak leaf in meadow grass, Minolta SRT 102, Kodak GC 400
Dew drops after frost, Pentax K1000, Ektar 100
Milkweed pods, Minolta X-700, Kodak Tri-X 400
Milkweed pods, Minolta X-700, Kodak Tri-X 400
Fall arrangement, Minolta X-700, Kodak Tri-X 400
Branches and sky, Minolta SRT 102, Kodak GC 400
Where Halloween balloons and forgotten things end up, Olympus Pen EE3, Lomography Lomochrome Purple
Sunset, Pentax K1000, Ektar 100Dusk on Lake Michigan, two ways, Olympus Pen EE3, Lomography Lomochrome Purple
Thanksgiving
We were lucky enough to again spend our Thanksgiving at the cottage with the people we love best. Of course I ditched them all to be outside as much as possible, but otherwise we had plenty of togetherness and merry-making.
Farmhouse in ruin, Minolta X-700, Kodak Tri-X 400
Lake and trees, double exposure, Minolta SRT 102, Kodak GC 400
my kid and Lost Lake, double exposure, Minolta SRT 102, Kodak GC 400
Goldenrod seed, Minolta SRT 102, Kodak GC 400
Windows, Minolta X-700, Kodak Tri-X 400
Private property, Minolta SRT 102, Kodak GC 400
Lost Lake, Minolta X-700, Kodak Tri-X 400
Windmill, Minolta X-700, Kodak Tri-X 400
Beach closed, Minolta X-700, Kodak Tri-X 400
And…
Other stuff.
Window gazing, Minolta X-700, Kodak Tri-X 400
Outdoor seating, Minolta X-700, Tri-X 400
It’s a sign, Minolta X-700, Tri-X 400
Giant, Minolta X-700, Tri-X 400
I’d been a little hesitant to shoot black and white film, but I think I’m over that now. Out of November’s four rolls, I think I most love the images I took using Kodak Tri-X. I still have plenty of other films to try out, so I’m not calling any favorites just yet…
abandoned farmhouse in Lomography Lomochrome Purple film
A few weeks ago I spent a small fortune on a few rolls of Lomography Lomochrome Purple film on a whim. Because, well, I’m in an experimental phase here and I’m rolling with that. But really, it’s like magic, this film–it turns greens purple (but only sometimes) and mucks about with other colors in weird and wonderful ways and yes, I do know that I can do that in Photoshop but I want to create magic right in my camera with no other faffing around. And I want to be surprised by what I get when my film is developed. And I don’t want to control everything. (I take that back. I kind of like control, but not where film photography is concerned. I am still in love with the surprises there.)
So I put one roll in my Minolta SRT 102 and after that I ran another through my Olympus Pen EE3. Was I surprised? Yes. Delighted? Totally.
Will I use this film again? Yes, oh yes. And I can’t wait.
In the meantime, here are some favorites from those two rolls.
Minolta SRT 102
sumac in foreground, abandoned barndiamond window shed, sumacpine needles suspended in web, abandoned car in forestpine forestforest floor, dried pine needles, mushroom and green (purple) mossforest and lightpumpkins get a deeper orange in lomo purplesmall lake, lily pads and reflectionslake and reflection through trees
Olympus Pen EE3
train tracks and vinesshadows and alleywaylines, shadows, and time transport box (okay, probably not)foggy woods, road after the fog clearedcountry roadsorchardorchard and plowed fieldmulticolored trees and old shedfields, treesgrassy road, more sumacsumac and milkweed, roadside
