Portland, October

I feel differently now, I guess partly after taking a little break from film photography, or maybe partly because I’m older, or probably partly because it feels in that time like everything has changed. I mean, it hasn’t all changed, but the world feels different to me.

I was (cautiously?) optimistic about three rolls of film I sent to the lab this week, hopeful for a few shots I could swoon over, but really nothing came out all that exciting. Nothing “good” in the sense of what anyone else might consider good. But then I remembered that it’s more about evoking a feeling, or bringing me back to a place. And there I was in Portland back in October again, running before work on the path by the river and carrying a little Kodak Ektar H35 half frame camera I bought just after it was released a year or two ago, but hadn’t used yet.

It’s kind of a perfect camera for just that thing, a work trip to a city you don’t know. It’s light, pocketable, easy to use, and you get double the number of photos on a 35mm roll of film. Crappy weather? It’s plastic, no batteries or fancy knobs. Bumping around in a pocket? It can take it. Expired film? Meet imprecise lens.

Usually I get my half-frame rolls scanned with two images per frame, but the lab couldn’t do it this time. While I like some of these images as singles, I do want to see what the natural pairings look like. I really need to get to developing and scanning my own film, but the scans never quite come out the way I like.

This is Portlandia. I’d venture to say she is a goddess, reaching down from a section of a building in downtown Portland. I had to gaze at her for a while as I stood under her, her hand offering (what… welcome? respite? elevation?) something unsaid, beyond reach. I like her in this photo.

And another Portland building, all lines and boldness. I forgot how much I like photographing buildings.

It was cloudy most of the week, and I remember now that I had to time my morning runs so as not to head out in the dark (you know, safety and not knowing the lay of the land) but to go at such a time that I’d be able to still get coffee, shower, make myself look like I haven’t just worked at home by myself for the last 25 years, and get to the office on time for all-day meetings. Simple-ish.

When I was little, we spent many holidays in Pittsburgh with my dad’s family, and when we took the occasional trip into downtown Pittsburgh, I fell deeply in love with the bridges there. Portland felt a little like a dream about Pittsburgh, and not just because of its bridges.

winter landscapes

We got quite a lot of snow in December and the year started off snowy, but the rest of January has been kind of non-wintery. Even kind of spring-y. In fact the sun is shining as I write this, it’s nearly 50 degrees, and last weekend I went out with a friend and used color film, with some also pretty interesting results, which I got back today and will put up next post.

I wouldn’t mind using my snowshoes some more so I’m hoping for more typical weather to come ’round. In the meantime, I’m trying to catalog my negatives and keep myself organized (as much as I can be organized–I’m not the organized type) and peruse photos from the last weekend at the cottage before we closed up for the winter.

The day I wrote this was the last day of the year and I’d showshoed on the beach with two cameras and two films. These are the photos from my Minolta X-700 camera, with January 2009-expired Ilford SFX film. I had a 25A red filter on the lens, which I wasn’t entirely sure how would affect the results, but I had it in my arsenal so I thought I’d try it and there you go. It all looks a little muddy, but I think it also looks a little dream-scape-y, too.

You know I like to experiment.

ice pearls on Lake Michigan shore

ice pack, Lake Michigan beach

where the ice meets the water

more ice/water

dunegrass tips under heavy snow

beach stairs, stranded

pines in the valley

wintery pine cones

fort built for the boys who are now men

The other camera was the Bronica SQ-A, with which I am still smitten. Can you blame me? I love the square format. I love the shallow depth of field and the sharp lenses. It’s heavy, strong, sturdy, and the battery lasts forever (seriously, that’s a handy thing). I used a roll of Velvia 50, just expired earlier in the year, gifted to me by my secret santa in a film swap organized by this amazing place/blog/person-behind-the-curtain/resource. If you are interested in film photography and haven’t spent some time on that site, go right now. I don’t mind one bit.

ice pearl and splash

aqua blue, white snow, sandy ice

sandy ice pack on the beach

a neighbor’s summer shade

view through

mead-soaked summer

I don’t think I can limit myself to a photographic style until I try everything. I soaked a roll of expired film for about half a day in some sparkling mead. Then I rinsed it, soaked it in water for about another half a day, and then let it sit around to dry for oh, I don’t know, maybe three weeks.

And then I loaded it into my Minolta X-700 and…

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milkweed flowers at the edge of a wheat field

Dreamy stuff. Soft colors, smeary lines.

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Bella, asparagus field

I asked the lab first if they could develop this–I know soaked films can mess with chemicals and I didn’t want to screw up anyone else’s film (or my other six rolls they were developing). I’m starting to really love my local lab.

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