late July and I’m thinking too much, maybe

private property
PRIVATE PROPERTY

I’m pretty sure my husband does not read this blog, because a) I don’t know him to be the blog-reading type and b) I don’t write about bikes or cycling, which is pretty much the thing that he loves best (and I have no issues with this–we each have our “things”). And I don’t talk about him here because he’s a private guy and he’d think it’s cheesy and all that. Maybe I’ve written about him once or twice in the context of us being married for a really long time and that we might know a little something about being married a long time. Or maybe that he’s good at a lot of things. And smart. But that might be it.

But things are changing in our lives, and some of those changes have been challenging but some have also been pretty enlightening and overall good in the scheme of life-things. We just spent a week together, which might sound weird because we are married, but we’ve been mostly living apart since late May, so the week together, alone, was a little different but so very regenerating. Marriages are hard, maybe particularly so with independent types (and maybe by independent I actually mean stubborn, but we’ll leave it at independent for now). When he left today it hit me that I don’t show him or tell him that I appreciate him enough. I’m going to work on that. I’m not exaggerating when I say he’s been a rock, particularly in the last year and a half. I’m not sure I deserve any of it.

foggy road
foggy road

I mentioned it a few posts back but in late June I shot a roll of Portra 400 on a foggy morning, driving alone through the back roads around the cottage. The land looked really mystical and I hoped the shots would be even more foggy looking, but overall I really liked most of them.

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dewy asparagus plant at edge of foggy orchard

Also, a few days ago I enrolled in a creative writing class for this fall. My minor in college was fiction writing and I’ve dabbled before and since, have always written poetry and essays and bits of this and that. It’ll be interesting to do it again in a class and get feedback and critique again. I miss that exchange. I’m excited and ready for it.

lines and fog
power lines, vines, fog

Tonight I shot two rolls of black and white film in the garden at Cherry Point Market, which smelled amazing and was teeming with buzzing bees and zipping hummingbirds. Black and white partly on a whim, but also because I’m committed to putting a dent in the shoebox full of film I have going on (don’t make me count. It’s a lot.) So tonight I shot a roll of TMax 100 and used a macro lens on my Minolta X-700 with a cheapy close-up filter on top of that for most shots. I also shot a roll of Fomapan 100, a film I haven’t tried yet, on the Mamiya C220, mostly getting really close to herbs and flowers and hoping upon hope I framed things the way I wanted but who knows? Close ups with that camera remain mind-boggling, but I keep trying.

barn in fog
red barn and fog
grounded steeple in fog
steeple, fog

Anyway, I kind of can’t believe it’s already late July. Storms came through the last few days and Lake Michigan just mowed down more of the bluff in front of our cottage. We (and by “we” I mean mostly the rock I mentioned earlier in this post) had to right and reset the beach stairs. The former post that marked the high water of the 1980s washed away, so we don’t have much bluff to work with here. The chicory and the queen anne’s lace are beginning their roadside takeover. The wild rose bush is at its peak. It’s high summer.

(You can see a few more shots from this roll here.)

we can’t be mad at the fog

As a child I remember foggy mornings on Lake Michigan; waking up to the foghorns of freighters and stepping onto the deck to feel the chill of the moist air. I don’t remember, however, so very many days of fog. Maybe because we weren’t here in May and early June back then?

Either way, it seems more foggy here in recent years. The fog rolls in and stays, laying down a chill blanket that obscures the lake and shrouds the woods behind us. When you drive or walk inland as little as a quarter mile you’d never know as the sun shines cheerfully and blue skies prevail. We can’t be mad at the fog for hiding our surroundings–it has its own cool beauty.

It’s late afternoon and I’m breaking from work to write for just a moment. A sleeping cat on the chair to my right; a snoring dog on the couch to my left. It’s warm enough to have the sliding door open to the deck, and outside I hear a foghorn call every minute or so from one boat, getting louder and closer with each minute now, as well as the sounds of multiple birds and the buzzing of insects.

Our former neighbor Adeline is long gone, but her lilacs–even though they were chopped all the way down last year–have grown back and are just blooming. I like to think of Adeline, standing on her cement slab porch in her robe with an ever-present cigarette hanging from her lips, maybe shouting for her shovel because a snake is slithering across the slab, or laughing her gruff, hearty laugh. She was both rough and gentle and her lilacs, baby’s breath, and lily of the valley planted along the driveway and between our houses keep coming back, year after year, a testament to the past and a sweet reminder of persistence and grit melded with beauty and softness.

And now the sun is shining through the fog and I see sparkles on the lake again, the foghorn is getting distant, the dog is demanding an afternoon walk and I’ll have to get back to work.

ghost sail in fog

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sailboat and fog

A fog rolled in this morning and blurred the line between the lake and the sky in such a lovely, muted way. There have been boats all day so far, coming in and out of the fog. Some I can only hear the low hum of their motors; others, the tips of their sails peek out from the fog, like this one. Some seem to emerge fully from the fog only to be enveloped again.

I ventured down to the beach this morning to try to photograph the fog with my new pinhole camera. Because of the high water levels on the Great Lakes, our beach is slim (and on rough days there is no beach to be had at all). The stairs go down the bluff from the house, and then there is a short path that is carved through the prolific dune grass. The kayaks lie to the left of the path just as it drops to the beach. I paused for a minute there, for no good reason, and that’s when I realized that something was blocking my way… a short, thick, just-barely-darker-than-sand-colored snake, with no discernible markings. I’m not afraid of snakes, but I don’t exactly feel comforted by the fact that this one was just a few feet in front of my feet, and that this one, or one like it, could just emerge from the thick grasses onto the narrow path at any time. Of course I talked to it, asking it gently to move along, and it did in its own sweet time, in no rush at all. It didn’t seem threatened at all and moved under the kayaks and then back into the grasses.

Fog, film, foray

That foggy day last week warranted an entire roll of film, much of it used in my neighborhood.

Fog changes everything. The familiar is unfamiliar. There’s a lack of color, a mystery about things, a mood. A little eerie, maybe, to some. All I know is I could hardly wait to get to class last night. I had three rolls of film to develop–my first foray into developing my own film.

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foggy pier and reflection (+ water spots from developing), Kodak Tri-X 400, Minolta SRT 102

We learned how to work in total darkness, working shoulder to shoulder, cracking open our film canisters with can openers and carefully, blindly, passing scissors to each other. As far as I know there was no bloodshed. And then the processing, this part in the light, fortunately… we poured chemicals together, agitated our film- and chemical-filled canisters, chatted in between watching our timers, fretted about possible mistakes, encouraged each other, watched as images magically appeared.

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restaurant terrace in fog, Kodak Tri-X, Minolta SRT 102

The whole process was easier than I expected, and honestly a lot less smelly than I expected. I like that my class consists of mostly people younger than me, with a few my age or older. Some who’ve never touched a camera, some with years of experience or past experience, and some who have taken the class multiple times solely for open use of the darkroom. There is learning and teaching to be had here, and I am grateful for the opportunity to be part of it.

Pervasive fog

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We woke up to a fog yesterday that never diminished. It blanketed my riverside town and persisted even into the early hours of this morning. Today calls for more rain and fog, I guess the result of unseasonably warm January temperatures.

I don’t think I’ve touched my digital camera in more than a month now–maybe longer. While I did shoot a roll of black and white film yesterday, I wanted some images I could see right away, so my DSLR went into my bag. My friend Jane and I drove to some of our favorite local natural spots to wander, get muddy, laugh, see things through our foggy lenses.

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